My movie posts for November are focusing on films featuring female women of the opposite sex.
Today we're going back 93 years for today's movie!
The TARDIS takes us back to November 11, 1933.
And it's Movie Time!
Female is a 1933 American pre-Code romantic drama film directed by Michael Curtiz who was a very prolific and talented director from the pre-Code era.
The film stars Ruth Chatterton and George Brent.
I'll leave it to you to guess who has the lead role.
Say hello to Alison Drake, the wealthy owner of a large automobile company she inherited from her father.
But it's not all work and no play for Allison Drake. She engages in a series of casual affairs with several men, including from among her own employees.
- Man enters her office with an idea about something.
- Allison professes to be too busy right now (she is working the phones really hard doing executive stuff) but...
- Invites man to her house for dinner and they can discuss it then.
- Man shows up at her house, Allison's in her sexiest negligee and... It. Is. On.
The guy is Jim Thorne, a gifted engineer Allison ordered her underlings to hire away from her competition.
- Jim has some really cool plans for the company.
- Allison professes to be too busy right now but...
- Invites Jim to her house for dinner and they can discuss it then.
- Man shows up at her house, Allison's in her sexiest negligee and... It. Is...
- NOT On?
What the hell, dude!
Allison is all, "Really.... want... to... get.... laid!"
And Jim's all proper and professional and some other 3rd thing and...
But Allison is all...
But it ain't happening, girl.
So Allison tries a different tactic and tricks Jim into a picnic...
A picnic? Really? Eating outside on the ground with all the heat, humidity, dirt, pollen, bugs? A picnic?
Really?
Well, really and it works!
Jim is all, "Well, fine! I guess I will have all the sex now."
Allison is happy!
The next day, Jim shows up at the office with a marriage license.
Allison is NOT happy!
Marriage license? Well, that's going TOO far! That's a shame because Allison kind of really liked Jim but it's time for Allison's patented bonus/promote/transfer hoo-doo and...
Jim QUITS?
OK, that's NOT how this is supposed to work.
Also not working like it's supposed to is Allison's car company. Another company is working on an hostile takeover but Allison has an appointment with bankers in New York City to get the financing she needs to save the company and...
SHE CAN'T LIVE WITHOUT JIM!!!
Tough, stern, cold executive Allison Drakes melts into a hormonal puddle of blubbering goo! And right in front of all the MEN on her company's board of directors.
What the unholy fuck is happening to this movie?!?
Instead of playing beat the clock to get to NYC to save her company, she frantically chases down leads where she can find Jim.
She finds him at an amusement park at a shooting gallery where she passionately pleads that she will agree to legally sanction the hetero normative sexual intercourse and get married.
Jim realizes they still have time to fly to New York City and save the company. Allison's all fine, let's do that but decides Jim is going to run the damn thing and she's gonna stay home and pop out nine babies!
NINE?!? Damn girl! That is a LOT of legally sanctioned hetero normative sexual intercourse!
And we've reached the end and I'll say it again:
What the unholy fuck happened to this movie?!?
Female went through three directors:
- William Dieterle began work on the film but got sick so...
- William Wellman took over but studio head Jack L. Warner didn't like what he was seeing and wanted the film re-shot.
- So now Michael Curtiz was on board for the re-shoots and wound up with sole on screen credit.
Despite the rotating directors, Female was able to turn a profit for Warner Bros.
While movies made before the Hayes office production code could get away with a lot of things (like having a sexually active unmarried female as the lead character), studios still had to contend with a multitude of local movie review boards. Which may explain the abrupt shift in Allison Drake from tough as nails corporate executive with an active sex life to "please put NINE babies in me" in order to find happiness and fulfillment.
Or it's just because a bunch of men were in charge?
For whatever the reason, Female is an odd duck of a movie with a woman trying to conduct her business and her life like any male but is brought low by the inescapable reality that she is female and needs to make babies.
That whirring sound is Gloria Steinem spinning in her grave.
I will say that here in 2026, the white Christian nationalist movement would see this movie as a feel good experience and cheer Allison's "redemption" to seek prolific motherhood.
NINE babies? Really?!?!


























