Yesterday was my birthday and I'm now 63 years old.
As an official OLD PERSON, I am now required to have a deep and profound interest in World War II.
It was our last really good war. It had the biggest scope (it was a WORLD war) and the best villains. (Nazis? Boo! Hiss!)
I do love me a good WWII docmentary and my favorite topic is what a dumbass Adolf Hitler was, making profoundly stupid decisions based on his unequivocal belief that he and only he was smart enough to do things no one else had done.
Like attacking Russia in winter! How clever is that? No one would expect Russia being attacked in winter. No one had done it before so Hitler thought it was a genius move to attack Russia in winter.
Well, it's STUPID because it's RUSSIA in WINTER!
German forces advancing on Russia were quickly stymied because RUSSIA in WINTER is HELL!!
Or that time Hitler attacked Iran without considering Iran could shut down the Strait of Hormuz.... whoops! Sorry, mixing Hitler up with another STUPID ego maniac. (They kind of start to blur together.)
Ultimately, Hitler's rampant ego and stupidity were good things for the Nazi busting good guys that finally brought WWII to an end.
This coming Thursday, April 30th, will mark the 81st anniversay of Hitler's suicide and the fall of the Reichstag, marking the military defeat of Nazi Germany. The garrison in Berlin surrendered on May 2, 1945.
The Nazis were whupped and we never had to worry about a fascist government run by an ego maniacal stupid person ever again. π
Which brings us to.... Movie Time!
Hotel Berlin (1945) is an American drama set in Berlin in the waning days of WWII. The film was in production well before Germany's surrender but hey, the writing was on the wall. It was clear to everyone except for stupid ego maniacs that the Allies were engaged in a good ol' romp 'n' stomp and Nazi Germany was heading for a fall.
Released in March 1945, a month before that fall, Hotel Berlin is oddly prescient. Watching it, I thought the movie was made after the defeat of Nazi Germany.
Hotel Berlin serves as a sort of quasi-sequel to Grand Hotel.
Both movies were based on books written by Vicki Baum, both set in a big ol' hotel in Berlin.
And like the earlier film, Hotel Berlin follows a web of plotlines that connect in a single space over a single span of time.
The hotel is the nexus for a collection of Nazis, officers, spies and some ordinary Germans just trying to get by in a time of war.
Martin Richter is a German underground leader who escaped from the Dachau concentration camp seeking refuge at the hotel.
Joachim Helm, a Nazi still dedicated to a cause spiralling towards defeat, is out to capture Richter.
Another hotel guest is Nobel laureate Johannes Koenig, Richter's friend from before the war and also an escapee from Dachau.
General Arnim von Dahnwitz is also at the hotel. He is wanted for his role in a plot to kill Hitler and has 24 hours to surrender or kill himself.
Lisa Dorn, a famous actress and Arnin's lover, is also at the hotel. Arnin tries to convince Lisa to get married and run away with him to Sweden. Lisa deems Arnin's plight as hopeless and declines that offer. Alas, Arnin agrees with her and takes the option that is NOT surrendering himself.
Hotel "hostess" (and informant) Tillie Weiler warmly greets Major Kauders, a pilot determined to make the fullest use of a short leave (Wink! Wink!) They argue and split when Kauders suspects Tillie of hanging out with Jews.
Sarah Baruch comes to Tillie and begs her help in getting medicine for her husband, dying of cancer.
Hermann Plotke, a snivelling Hitler sycophant, recognizes Sarah and orders her to put on the Star of David badge required of all Jews. Tillie intervenes and exposes Plotke as a thief, as a common shoplifter before the war.
Tillie is arrested for helping Jews.
Hermann is arrested for stealing stuff.
Meanwhile, back to Martin Richter, as part of a scheme to get him out of the Hotel Berlin, he is disguised as a waiter. But Lisa Dorn snitches him out to Joachim Helm.
Richter and Helm get into a tussle that ends when Richter tosses the Nazi down an elevator shaft.
Richter also shoots Lisa Dorn for being a snitch.
And that is where our tangled tale of deception and despair ends.
Whoa! That was a lot.
Unlike the frothier Grand Hotel with it's high voltage cast, Hotel Berlin is a darker dramatic excursion. All the characters are German and there is a concerted effort to make these characters relatable. They are only people trying to cope with life under an oppressive and corrupt regime that has led them into a war they cannot win. Some cope by leaning into the last vestiges of power of this regime; others cope by standing firm against it. Under this duress, not everyone makes the best decisions.
Like, perhaps, Martin Richter's decision to execute Lisa Dorn for her betrayal? The time of Hitler and his bloody war is coming to an end, the ultimately failure of this oppressive and corrupt regime is self evident. Does Lisa really need to die at this late stage of these events?
But sadly, the war is in fact not yet over and Hitler's devotees are still all too willing to enforce his edicts with lethal results. Dorn betrayed them before and may do so again. Can she be trusted to be left alive?
It is hard to come to terms with the results of Richter's brutal calculation.
As I noted earlier, Hotel Berlin is very prescient of events that will occur after it was made and released.
Film critic Michael Atkinson made this observation: "For most of the world in early 1945 the concentration camps were still just a rumor, but here characters talk in ominous terms about Dachau and Birkenau, whose gas chambers were claimed in the picture to kill '6,000 people in 24 hours!', in a movie that hit theaters one month before Auschwitz and Dachau were liberated and exposed to the world."
Hotel Berlin offers a rather sympathetic portrayal of Germans which did not set well with those who bought into the jingoistic war propaganda against our enemies. New York Times critic Bosley Crowther chastised the creators of Hotel Berlin for presenting sympathetic German characters, in both his March 3, 1945 review of the film and in a March 11, 1945 article criticizing the makers of Lifeboat, The Seventh Cross, Tomorrow the World and Hotel Berlin to task for “giving our very real enemies...a sizeable break.”
I'm not sure that Hotel Berlin counts as given anyone a sizeable break. The people portrayed within dwell in the murky grey of morality under seige, confounded by desires for power and the basic need for survival.
Our enemies are only human after all.


