So here's an idea for a movie.
There's this guy who just loves his 1960's era swinging batchelor life, just flitting from woman to woman like a busy little bee. "The married life is not for me!"
But then he winds up married to a woman and he just can't stand it!
But efforts to get the marriage annulled or to get divorced don't work so he's left (HA! HA!) with no choice (HA! HA!) but to murder her!
(HA! HA!)
Why are not you laughing yet?
Should you be?
Let's find out together.
It's...MOVIE TIME!
There I am one day watching TCM and it's Jack Lemmon day.
Well, that's cool. I like Jack Lemmon whether it's in comedies like Some Like It Hot or dramatic roles like Days of Wine and Roses. So I'm probably in for some quality entertainment whether it's Jack in a comedic or dramatic roles.
On the program of films for Jack Lemmon day included this title: How to Murder Your Wife from 1965.
Oh, so this must be Jack Lemmon in a dramatic role as a nefarious scoundrel with a despicable scheme to murder his wife.
No, it's a comedy.
OK, you got my attention. Let's see what the hell this is about!
Stanley Ford is a carefree bachelor who lives a life of fun and luxury in his Manhattan townhouse with his English valet, Charles.
A fancy butler and an upscale Manhattan address? How can Stanley afford such things?
He's a newspaper cartoonist. (So right off the bat, you know we're not going for realism here.)
Stanley is the creator of the nationally syndicated comic strip Bash Bannigan, Secret Agent.
Stanley's big on authenticity so he draws from real life and will even re-enact Bash's exploits around the city with Charles taking photos for Stanley to use as reference.
Stanley Ford loves his carefree single life and is absolutely positively against the institution of marriage.
While he might be against marriage, he's still up for a good time at marriage's expense so he attends a friend's bachelor party where someone bursts out of a cake. Like this!
Except instead of Matt Smith, it's a beautiful young blonde Italian woman who comes out of the cake. Like this!
After a night of drunken debauchery, Stanley wakes up to find himself married to the beautiful young blonde Italian woman.
Well, Stanley immediately regrets this and goes to the office of Harold Lampson, his friend and attorney, bringing with him the beautiful young blonde Italian woman.
Now you might wonder why I keep referring to this person as "the beautiful young blonde Italian woman". Even though it is factually true. She is
- beautiful
- young
- blonde
- Italian
- and a woman.
So that is true and all that but does this beautiful young blonde Italian woman not have a name? Let me check.
No, she does not.
OK, she has to have a name but the script does not give her one.
Because she is married to Stanley Ford, we can call her a) Mrs. Ford (as she is identified in the closing credits) or 2) I keep pasting in "beautiful young blonde Italian woman" through the rest of the post.
I will for the purpose of this post defer to the movie credits and address her as "Mrs. Ford". But man, that is some top level sexist shit there, even for the 1960's.
Maybe I should even the playing field and refer to Stanley Ford as "Mr. Ford". If his wife can't have a first name, then neither can he.
But all my notes refer to this selfish prick as "Stanley" and I'm not committed enough to this cause to re-write all of that.
Where were we? Oh, yeah, meeting with the attorney.
Harold Lampson tells Stanley that annulment and divorce are not options for some vague reasons of the plot requires it.
I don't think Harold is a very good lawyer. And I think he's a bit resentful of his friend Stanley's swinging bachelor life, just flitting from woman to woman like a busy little bee.
"The married life is not for me? Well, screw you, Stanley! You're caught now, motherfucker! Just like me!"
Harold is married to Edna, a manipulative, henpecking cliched wife person who happens to speak fluent Italian and is the only one who can communicate with Mrs. Ford. Edna's more than willing to help this young woman getting settled in with Stanley.
Something butler Charles cannot abide. Not willing to give up his quasi gay adjacent life style with his employer and share Stanley with a (gasp!) woman, Charles quits!
Just who is this "Mrs. Ford" who represents such a loathsome burden to poor Stanley? Besides being a beautiful young blonde Italian woman, she has a cheerful disposition, she's kind, she's affectionate (wink-wink, nudge-nudge, say no more, say no more) and a really good cook.
Quite frankly, Mr. Ford is lucky to have this woman as "Mrs. Ford".
It is not all wonderful. Mrs. Ford has a little dog who is constantly yapping. Which is really annoying for me watching the movie so yeah, I get how that might bother someone living with that.
And Mrs. Ford watches a LOT of TV ALL the time, ostensibly to help her learn to speak English. Her English gets better even if most of what she knows is repeating vapid lines from TV commercials.
Also marriage to Mrs. Ford has affected Stanley's fantasy outlet, his comic strip Bash Bannigan, Secret Agent. The strip has morphed into The Bannigans, a domestic comedy series which is more popular than before because women are reading it now and getting a kick out of the misadventures of the beautiful young blonde Italian woman and her hapless, idiotic husband.
Stanley Ford wants out!
Since annulment and divorce aren't options, Stanley must turn to murder.
To be clear, the murder Stanley is plotting is that of Mrs. Bannigan.
But in his quest for authenticity in his comic strip, he has to plot it out against Mrs. Ford. Which includes spiking her drink at a party to render her unconscious.
But the final stage, the actual killing of the spouse, will be carried out using a mannequin.
So the plot is exposed day by day as Bash carries out his plot in the nations' newspapers so he can become once more Bash Bannigan, Secret Agent!
When she sees Stanley is carrying out a plot to murder her fictional counterpart, Mrs. Ford takes her dog and vanishes.
Since Mrs. Ford is nowhere to be found and Stanley just laid out a plot to kill her for all the nation to read, Stanley is arrested and tried for murdering his wife.
Since there is no body and only circumstantial evidence, it seems that Stanley's attorney friend Harold Lampson should be able to keep him out of the electric chair.
But that does seem to be where Stanley is heading because as I said before, I don't think Harold is a very good lawyer.
OK, we're about to head into some messed up misogynistic shit!
So Stanley takes over his own defense, appealing to the ALL MALE jury and their frustrations regarding their own wives and marriages.
Stanley declares he killed her and what man on that jury wouldn't do the same if they had the chance?
The ALL MALE jury can't acquit him fast enough as the men in the courtroom applaud wildly and carry Stanley out on their shoulders.
Seriously, this is a thing that happens in this movie.
A joyful Charles is willing to return as Stanley's valet on the belief Stanley really killed his wife. He's very disappointed to find out Stanley didn't actually murder anyone other than a mannequin.
What if Mrs. Ford returns? Charles gleefully advises Stanley he can kill her for real since a jury just acquitted him of murdering her and he can't be charged with the same crime twice.
A despondent Stanley is hoping she will return. And when he goes back home, he is pleased to find a certain beautiful young blonde Italian woman naked under the covers in his bedroom.
Hello, Mrs. Ford!
OK, I need a moment.
_______________________________
The "It's That Person Who Was In That Thing" Department
Claire Trevor repeatedly steals the movie as Edna Lampson, the wife of Stanley's attorney. Claire starred with John Wayne in Stagecoach,
The Claire Trevor School of the Arts at the University of California - Irvine was named in her honor.
Terry-Thomas who played Stanley's put upon butler was a unbiquitous presence in 1960's cinema with his ever so proper English accent and a very noticeable gap between his two front teeth.
Terry-Thomas specialized in characters that were pretentious, elitist, seedy, sometimes lecherous cads which pretty much describes Charley in How To Murder Your Wife. Terry-Thomas said this film was his favorite one which doesn't speak well to his good taste. (Yeah, I've got something to say about this movie in a minute.)
Jack Albertson who played Dr. Bentley was perhaps best known as Grandpa Joe in Willy Wonka and the Chocolate Factory.
Here's an obsure one: Max Showalter who played Tobey Rawlins was the hotel desk clerk in Move Over, Darling which I posted about in a Move Time post in August of last year.
I don't know who Khigh Dhiegh is but here's his role as it appears in the credits: "the bald actor playing a thug".
Hey, I do know who he is: he played the recurring villain Wo Fat on Hawaii Five-O from 1968 to 1980.
____________________________________
FUN FACT: The Bash Bannigan comic strips that appear in the movie were created by professional comic strip creator person Mel Keefer.
Mel created comic strips based on the TV series Dragnet.
And western actor/singer Gene Autry.
The Bash Bannigan strips have been incorrectly attributed to Alex Toth. Toth did draw one teaser strip that was drawn in Keefer's style to promote the movie but all the other strips were done by Mel Keefer himself.
ANOTHER FACT THAT IS NOT FUN BUT HERE IT IS: There is a character named Bash Bannigan in the TV series Reprisal which ran for one season on Hulu in 2019.
______________________________
Okay, back to the movie.
When I watch a movie, I try to imagine the perspective of the time it was made, if not to justify then to at least mitigate any inadvertant racism or sexism or some other 3rd thing that might be problematic for today's audience.
Hey, it was 1965! It was a different time, right?
How to Murder Your Wife does not stand up to the kind of leveraged scrutiny.
Change it to 1935 even and there's some stuff that just ain't good.
Make it a silent film from 1925 and really?
Jack Lemmon does what he can with some great physical comedy and facial expressions to wring laughs from this mess but he's fighting an uphill battle for an irredeemable character. Stanley's change of heart after the murder trial is out of left field due to the mandate that we need a happy ending, dammit!
The murder trial? Maybe I'm missing some kind of satirical commentary on the victimization of women. But all I'm seeing is a celebration of the victimization of women. If there is a deeper context there, that's on me for missing it.
A moment for Mrs. Ford. I can't blame the 1960's for not giving her a first name. In 1988, Mississippi Burning had a prominent female character known only as Mrs. Pell, no first name.
And Mrs. Ford is a vibrant character brought wonderfully to life by Virna Lisi whose performance is filled with joy and passion.
Why she comes back to Stanley, I have no idea. This beautiful young blonde Italian woman deserves better than Stanley Ford.
And she deserves a name!




