We continue our desperate drive towards the dire dreaded date with destiny known as Halloween.
And hand in hand with that we continue our morbid march through movie monstrosities of questionable quality and taste.
Last week's movie was pretty damn bad.
This one may be worse, folks!
It's... Movie Time!
Yes, beware the terrors of Italy as we journey down the corridor of time to 1965 to descend to the depths of unspeakable danger and death to be found in the....Bloody Pit of Horror!
The movie begins with an ending. A red garbed figure is led down into a dungeon in shackles.
This is the vile fiend known as the Crimson Executioner and he is to be condemned to the same fate experienced by his victims.
His crime: having a private torture chamber. Torture is fine if you're doing it for the government or better yet, the church. But on your own time? That's frowned upon.
The Crimson Executioner is placed in an iron maiden and the door is slowly pushed closed as dozens of sharp spikes plunge into his flesh and he slowly and painfully bleeds out in his coffin of torture and death.
Centuries later....
The place: an ancient Gothic castle, a large and foreboding edifice located in the desolate Italian countryside.
The players:
- writer Rick
- publisher Daniel Parks
- secretary Edith
- photographer Dermott
- five young models who don't get names
The players have come to the place, presuming the castle to be deserted, to use it as a location to shoot pictures for a horror photo novel.
But the place is not deserted as it is occupied by one more player to our dread and diabolical scenario.
The master of the castle, former actor Travis Anderson.
Recognizing Edith as his former fiancée, Anderson reluctantly agreed to let the group stay in his castle with one very crucial condition: stay out of the dungeon.
But there's some really cool scary shit down there, perfect for getting some great photos of scantily clad models reacting in terror to instruments of torture.
So the gang heads down there anyway.
Which pisses off Anderson something fierce.
He succumbs to madness as he does the mask of... The Crimson Executioner.
Check out the unit on that guy!
Look, it's not that I want to look at the Crimson Executioner's junk but it's right there.
Anyway, the Crimson Executioner scampers around the castle cornering the hapless interlopers into various death trap torture devices.
Like the dude chained to a bed while a rack of sharp nails slowly descends from above.
Or the woman who is tied up in a spider web to be consumed by a giant spider that is mostly assuredly not a giant rubber prop but a legitimate monster of death.
Basically, Anderson traps everyone in various devices designed to inflict slow torturous death on his victims.
Much like the O.G. Crimson Executioner in the movie's prologue, Anderson will meet his end on a torture device known as the "Lover-of-Death" which inflicts the victim with poison for a slow and agonizing death
Only Ricky and Edith survive this escapade of terror in this... Bloody Pit of Horror.
The "Hey, Isn't He Related To...?" Dept.
The role of Travis Anderson, the new model Crimson Executioner was played by Miklós Károly "Mickey" Hargitay, a Hungarian-American bodybuilder and alleged actor.
| Mickey and Jayne |
Mickey married actress Jayne Mansfield and became the adoptive step father of Jayne's daughter, Mariska Hargitay, the same person who plays Olivia Benson on NBC's Law & Order: Special Victims Unit.
Where she investigates sex crimes that frequently involve torture dungeons not unlike those used by the Crimson Executioner.
Plot twist: Mariska grew up thinking Mickey was her biological father, not discovering until her twenties that her biological father is Nelson Sardelli, Brazilian-born singer, actor, and comedian of Italian descent
I know this is a lot for a side quest but I think this is more interesting than the movie subject of today's post.
Regarding his role in Bloody Pit Of Horror, Hargitay admitted he "wasn't any more of an accomplished actor than a taxi driver", but thought he still provided a good performance in the film.























