Isabelle gets all twitter-pated when author Anton Maes comes to the bookstore to give a reading. She's all about the suave urban literary uptown Manhattan sophistication which is in contrast to her traditional downtown Jewish upbringing.
Isabelle is devoted to her Bubbe (grandmother), Ida, who lives on the Lower East Side. Ida just wants her granddaughter to meet a nice (Jewish, of course) guy and settle down. So Ida works with a matchmaker to set up a meeting in Ida's kitchen between Isabelle and Sam Posner, who owns the nearby pickle shop.
Pickles? Really!
Isabelle still has stars in her eyes for Anton Maes and upper class Manhattan.
Be careful what you wish for.
As Isabelle peels back the layers on Sam and realizes there's more depths to him that she knew, Anton continues to dazzle. But Anton's reveals a lack of depth, just his shallow ego. He sees Isabelle as an assistant, not a true partner.
Isabelle dumps Anton like a bad habit and tries to make amends with Sam.
But it's too late. She's missed her chance with Sam.
Or does she?
It's a romantic comedy. What do you think?
Isabelle's focus on status risks making her unlikeable but hey, it's a smart writer versus a dude who makes pickles. I guess who can blame her, right?
Her relationship with her Bubbe helps to warm her up a lot and every scene with Ida is a delight.
All in all, Crossing Delancey hardly re-invents the wheel when it comes to the mechanics of a rom-com but what makes the experience unique is the way the rhythms of Jewish life in New York City give the film a warm, comforting tone.
No, Isabelle does not miss her chance with Sam.
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