Today marks the end of this series of Cinema Sunday posts about Star Trek movies as we turn our attention to the 6th movie in the franchise and the swan song for the original cast, Star Trek VI - The Undiscovered Country.
Out in space, something goes BOOM!
The BOOM! sends out a shock wave that slams into the starship USS Excelsior commanded by Captain Hikaru Sulu.
Sulu's in the big chair! You go, dude!
The BOOM! was the destruction of the Klingon moon Praxis which has damaged the Klingon home world. No longer able to afford war with the Federation, the Klingons make an overture of peace. Spock has volunteered Captain Kirk and the Enterprise to lead a diplomatic mission to meet meet with the Klingon Chancellor Gorkon and escort him to negotiations with the Federation.
Kirk is all "Oh hell no you didn't." And Spock is all "Oh hell yeah I did!"
Seems Kirk still has a mad on at Klingons for killing his son back in movie #3. So he opposes this conciliatory move to make peace with the Klingons.
Kirk is a good soldier and goes to meet Gorkon although he whines about it every chance he gets. The old gang assembles with Kirk, Spock, McCoy, Uhura, Scotty and Chekov and newbie Valeris, Spock's Vulcan protoge to go meet Gorkon.
After an extremely awkward dinner with the senior staffs of the Enterprise and Gorkon's ship (made worse by the addition of some Romulan ale), it appears the Enterprise fires upon Gorkon's ship while two men in Starfleet space suits beam over, shooting and killing several Klingons including Gorkon.
In order to de-escalate the situation, Kirk surrenders and beams over with Dr. McCoy. General Chang arrests Kirk and McCoy for Gorkon's assassination. On the Klingon homeworld, Kirk and McCoy are put on trial, found guilty of murder and sentenced for life on the frozen prison planet Rura Penthe.
During all this, Gorkon's daughter Azetbur becomes the new chancellor and still believing in her father's vision, she opts to continue diplomatic negotiations with the Federation.
The site of the negotiations is super duper secret.
Life on Rura Penthe is hard for Kirk and McCoy but they make a welcomed friend in Marta, a shapeshifter who offers to help them escape.
Time to channel some Star Wars:
"It's a TRAP!"
Thankfully Spock beams their asses out of there a split second before a Klingon was about to spill the beans to Kirk on who the hell is behind all of this mess.
"Gee, Spock! Way to mess things up with your rescue, man!"
Spock and the Enterprise crew are trying to figure out what the hell happened. There's a traitor in their midst.
It's Valeris. Quel surprise. It seems she is part of a super duper secret group of Federation, Klingon, and Romulan officers conspiring against peace talks with the Klingons. The torpedoes that struck Gorkon's ship came from Chang's ship which can fire its weapons while cloaked which is a new thing.
Sulu on the Excelsior has sussed out that the super duper secret site of the negotiations is on Khitomer. Excelsior and Enterprise race to Khitomer where they are attacked by Chang's cloaked ship. Both ships are damaged and Chang won't stop quoting Shakespeare at them. Thanks to some science and a handy dandy torpedo, the position of Chang's cloaked ship is revealed and Excelsior and Enterprise lay down some serious fire power and blows Chang's ship up and right in the middle of his soliloquy from Hamlet too!
Then crew from both ships beam down to Khitomer to stop the assassination of the Federation President.
All hail the conquering heroes! Kirk makes a speech and gets a standing ovation.
Starfleet Enterprise is to return to Earth to be decommissioned.
Kirk decides to go on more trip first with a fanciful course heading:
"First star to the right and straight on 'til morning."
Star Trek VI - The Undiscovered Country has a lot of points working in it's favor. First of all, it comes after Star Trek V - The Final Frontier and can't help but compare favorably. Returning professional director person Nicholas Meyer (Wrath of Khan) would have had to royally fucked up well beyond all reason to deliver a film worse than William Shatner's directorial debut.
The fall of the Berlin Wall provides the impetus for the sixth film. What if the walls between the Federation and the Klingon Empire fell? Why would that happen? What would happen next? What would be the reaction to such a fundamental shift in the dynamics between these two galactic entities?
It is a solid story idea that actually sews some seeds for Star Trek: The Next Generation. It is unfortunately a story frequently undermined by some questionable character choices.
The behavior of the Enterprise crew towards the visiting Klingon delegation borders on rude, disrespectful and resorts to language and attitudes more akin to 20th century racism. There were some lines that Nichelle Nicholls (Uhura) refused to say simply because it sounded to much like the shit she had to put up with herself as a black woman in America. She prevailed in that Uhura did not have to say the offending dialogue but it was not excised from the script; instead, the offending lines were given to Chekov.
Speaking of Uhura, she should know how to speak Klingon. The scene where the Enterprise is trying to get past a Klingon outpost while Uhura and the bridge crew are desperately scrambling through old books (books!) to figure out how speak Klingon is supposed to be funny. It's just embarrassing. Nichelle Nicholls objected to this scene, insisting that the communications officer should have a handle on the language of the Federation's long time enemy; she lost that battle to Nicholas Meyer.
There is this bizarre notion that if the Federation makes peace with the Klingons, Starfleet becomes obsolete. This is stupid! There is still the mission of exploration and as for military missions, the Klingons were not the only enemy the Federation contended with.
Kirk's resistance to the peace initiative with the Klingons is overplayed. Yes, he has a personal grievance because a Klingon killed his son. And yes, that might color his thinking. But his life long career with Starfleet has put Kirk in a position as diplomat as often if not more than as a soldier. He should be better prepared to explore the opportunity presented to him by Spock.
Spock has the most egregious scene that undermines his character, his mind meld interrogation of Valeris. This is done without her consent and her reactions to Spock's mind probe frame this as a form of assault, of rape. The case may be made that time is of the essence, lives are stake and the fate of this quadrant of the galaxy is in the balance. Valeris has information Spock needs and chooses to not willingly give it. And Spock does seem disturbed by what he has to do and what he has done. But it does little to mitigate what looks like Spock mentally assaulting Valeris.
Despite the character missteps, the story is a solid allegory of post cold war drama. And knowing this would be the last Star Trek film to feature the entire original cast, there are nods to the future.
Kirk's closing narration acknowledges that the future exploration of the galaxy will fall to a new generation.
At Kirk and McCoy's trial, their Klingon counsel is Colonel Worf portrayed by Michael Dorn who plays Lt. Worf on Star Trek: The Next Generation. The colonel is Lt. Worf's grandfather.
And the decision to have one of the Enterprise crew advance in the ranks was a wise one. Sulu as captain of his own ship was a long overdue step.
Star Trek VI - The Undiscovered Country for all its flaws with characterization does provide a better capstone to the debacle that was the previous film.
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"I hate Star Trek movies!"
------------Keith R.A. DeCandido
When it comes to all things Star Trek, there is perhaps no more dedicated fan than Keith R.A. DeCandido. In addition to writing tons of tie in novels and short stories, Keith has written recaps and reviews of virtually all the Star Trek TV series and movies.
So why rag on the movies?
Because Star Trek was not built for the movies.
Star Trek works best when confronting a problem that has to be outthought more than outfought. Words, wit and diplomacy are more effective weapons than phasers and photon torpedoes.
Movies require spectacle. No one pays good money to see Kirk out logic a power mad computer. We've got a big screen and Dolby surround sound. Blow the shit out of that power mad computer.
Over this and the past 5 weeks, we've seen the cast of the original Star Trek move beyond the confines of the TV set to the big screen with varying degrees of success. So how do I rate these 6 movies from worst to first?
Star Trek V - The Final Frontier
Shoddy storytelling, inept direction and sloppy special effects plunges this one to the bottom of the list.
Star Trek - The Motion Picture
Shoddy storytelling, inept direction and sloppy special effects are on hand for this one too but it gets a pass from the bottom of the barrel for a more or less hopeful ending that is in keeping with Star Trek's ideals.
Star Trek VI - The Undiscovered Country
It's better than Star Trek V only forgives so much. A solid story brought low by poor characterization. On the plus side: Captain Sulu!
Star Trek III - The Search For Spock
Less of a movie and more of a mission to get Kirk and company from the previous movie to the next.
Star Trek IV - The Voyage Home
It's a fun movie and a personal fave but ...
Star Trek II - The Wrath of Khan
...the 2nd movie is the Ur tablet of Star Trek movies. It is the movie by which all others are judged. A singular villain with a clear and present threat, character moments that inform the film's themes and a great look for costuming and tech design that will inspire the franchise for decades to come.
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OK, Cinema Sunday is done with Star Trek for now. I will revisit the subject in the future as we review the 4 Next Gen films and the 3 films in the Kelvin time line.
Tomorrow is a Movie Monday post as we look at Free Guy.
And Cinema Sunday returns next week with a classic film in black and white starring Bette Davis.
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