I'm already a bit on edge about what 2019 might bring. The fact that 2019 will NOT be bringing any more new Doctor Who is not helping my mood any.
So what did we get with this New Year's special episode of Doctor Who?
Resolution
by Chris Chibnall
So
we didn't get surprised by a last second change of title to Resolution of the
Daleks. And if we had, it would have had to be Resolution of a Dalek.
All
this trouble for a single Dalek? Well, yeah. And if we learned anything from
the 2005 classic ”Dalek”, a single Dalek can be as much of a nightmare as a
whole army of them.
The
story begins with a story, a legend from the 9th century of a collective human
army coming together to defeat (barely) a devastating and deadly threat from
another world. That threat was a single Dalek. Here in the 21st century, a part of the organic component
of that Dalek has come to life and sunk its tentacles into a hapless human
woman in an effort by the Dalek to rebuild itself and summon a Dalek invasion
fleet to Earth.
Have
a Dalek doing most of its dirty work as a tentacle creature attaching itself like
a parasite to humans is a bit outside the norm of Dalek stories. But just
because the organic part of a Dalek has never done this before is not outside
the parameters of possibility. Indeed, this new configuration of Dalek being a
threat outside the tank adds a layer of threat and menace to the Daleks. Too
often, Daleks are portrayed as robots and disabling their pepperpot shaped
tanks is enough to defeat them. In “Resolution”, we have a Dalek that defeating
its tank is just part of the battle.
After
a season of Chris Chibnall giving us all new (and to be blunt, frequently
tepid) villains, there was much rejoicing that Doctor Who would serve up a
classic foe and the most iconic of them all, the Daleks. The Doctor vs. the
Daleks? You can’t get more iconic and classic Doctor Who than that, right?
Of
course, it can be argued that Chris Chibnall still has not given us a Doctor
vs. Daleks match up. This Dalek is
different with unique powers and abilities. I can see that point but it’s not
one that I am particularly troubled by. Chibnall did something different with the Daleks that to my
mind has enhanced the bleating pepperpots into a greater threat.
The
Doctor has her work cut out for her, tracking down a Dalek that is more than
just an overpowered battle tank but a foe of insidious evil, cleverness and
cruelty as it high jacks a human woman for its own nefarious purpose, to
rebuild a proper Dalek tank. Jodie Whittaker gets to finally channel some of
the rage of her predecessors when she realizes she's up against a Dalek, an
element of her character that has been sorely missing during the preceding
Series 11. Jodie still gets in some of her patented mile a minute silly banter
but there is a drive, a fierce focus in her Doctor in this episode that
elevates her performance as the Doctor. I think Jodie has been very good as the
Doctor to date but this is I think the first script that really challenged her
and pushed her to the best of her predecessors.
In
addition to a single Dalek threatening to end all life on Earth, we had
time for some family drama when Ryan's father finally shows up. Aaron
Sinclair is not your typical deadbeat dad. He loves his son but lacks the
maturity to show it when times get tough, like the death of Ryan’s mother or
Aaron’s own mother, Ryan’s gran Grace who died back at the start of Series 11.
There’s a scene with Ryan and Aaron sitting in a shop, talking. It’s a scene
with considerable emotional power as Ryan makes his case as to exactly why he’s
pissed off at his father. It goes on a bit too long as I’m thinking, “We’ve got
an alien tentacle thing on the loose we need to catch up to”. But there’s no
denying it’s a powerful moment for Ryan who has struggled with abandonment
issues through the course of the season.
There’s
a lot of action in this episode including a car chase and stuff blowing up real
good. With so much humor, drama, action and danger packed into this episode, I
would dare say that I would rate this
New Year's special as the best episode of the Jodie Whittaker/Chris Chibnall
era.
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