OH mY god, my Arm Is Still in a Cast and My Already Questuionable Abilitities ToType ReMain Seriously Curtailled
THE passing of actor John Hurt who became a beloved part of Doctor Who fandom from his role in the 50th anniversary special, The Day oh the Doctor.
first of all,
Stuff written by other poeple.
Cheryl Cheng with The Hollywood Reporter
He announced in June 2015 that he had been diagnosed with pancreatic cancer.
On screens big and small, Hurt died what seemed a thousand deaths. "I think I've got the record," he once said. "It got to a point where my children wouldn't ask me if I died, but rather how do you die?"
On his YouTube page, a video titled "The Many Deaths of John Hurt" compiled his cinematic demises in 4 minutes and 30 seconds, from The Wild and the Willing (1962) to Tinker Tailor Soldier Spy (2011), 40 in all.
One of his most memorable came when he played Kane, the first victim in Ridley Scott's Alien (1979), in which he collapses over a table and a snakelike alien bursts out of his chest. (How'd they do that? There was an artificial chest screwed to the table, and Hurt was underneath.)
"Ridley didn't tell the cast," executive producer Ronald Shusett told Empire magazine in 2009. "He said, 'They're just going to see it.' "
"The reactions were going to be the most difficult thing," Scott explained. "If an actor is just acting terrified, you can't get the genuine look of raw, animal fear. What I wanted was a hardcore reaction."
Hurt then lampooned the famous torso-busting scene for director Mel Brooks - whose production company produced 1980's The Elephant Man - for the 1987 comedy Spaceballs.
The Elephant Man received eight Academy Award nominations, including one for Hurt as best actor, but went home empty on Oscar night.
(Hurt lost out to Robert De Niro as boxer Jake LaMotta in Raging Bull.)
In 1980, he recalled the extensive makeup needed to become the kind-hearted man with the monstrous skull.
"It never occurred to me it would take eight hours for them to apply the full thing - virtually a working day in itself. There were 16 different pieces to that mask," he said. "With all that makeup on, I couldn't be sure what I was doing. I had to rely totally on [Lynch]."
Hurt also garnered an Oscar best supporting actor nomination and a Golden Globe win in 1979 for Midnight Express, in which he portrayed a heroin addict in a Turkish prison. The Alan Parker drama was based on the true story of Billy Hayes (played by Brad Davis), an American college student caught smuggling drugs.
"I loved making Midnight Express," he said in 2014. "We were making commercial films then that really did have cracking scenes in them, as well as plenty to say, you know?"
His more recent film appearances came in Snowpiercer (2013), The Journey (2016) and Jackie (2016). He is set to be seen in the upcoming features That Good Night and My Name Is Lenny and was to play Neville Chamberlain in the upcoming Joe Wright drama Darkest Hour.
John Vincent Hurt was born Jan. 22, 1940, in Chesterfield, Derbyshire, England. He studied art at his parents' behest, earning an art teacher's diploma. Disillusioned with the prospect of becoming a teacher, Hurt moved to London, where he won an acting scholarship at the Royal Academy of Dramatic Art. He studied there for two years, securing bit parts in TV shows.
"I wanted to act very early. I didn't know how to become an actor, as such, nor did I know that it was possible to be a professional actor, but I first decided that I wanted to act when I was 9," he told The Guardian in 2000. "I was effused with a feeling of complete and total enjoyment, and I felt that's where I should be."
Hurt made his London stage debut in Infanticide in the House of Fred Ginger in 1962. That year, he acted in his first film, The Wild and the Willing, and his role as the duplicitous baron Richard Rich in Oscar best picture winner A Man for All Seasons helped him become more widely known in the U.S.
Hurt often played wizened, sinister characters. In his younger years, his wiry frame, sallow skin and beady eyes curled together in performances that bespoke menace and hard-wrought wisdom. He was especially effective playing psychologically ravaged characters, like when he was a jockey plagued with cancer in Champions (1984) or the viciously decadent Caligula in the 1976 BBC miniseries I, Claudius.
Hurt brought his peculiarly powerful persona to the role of Mr. Ollivander in Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Deathly Hallows: Part 1 (2010) and Part 2 (2011).
He also had a recurring role as Trevor "Broom" Bruttenholm in Hellboy (2004) and Hellboy II: The Golden Army (2008) and was the voice of the character in the 2007 TV movie Hellboy Animated: Blood and Iron.
Other film credits include The Sailor From Gibraltar (1967), Sinful Davey (1969), 10 Rillington Place (1971), The Osterman Weekend (1983), White Mischief (1987), King Ralph (1991) and Rob Roy (1995). He played a fascist leader of Great Britain in V for Vendetta (2006) and was Professor Oxley in Indiana Jones and the Kingdom of the Crystal Skull (2008).
Hurt also was known for his rich, nicotine-toned timbre, which won him many voiceover assignments. He was the narrator in The Tigger Movie (2000), Dogville (2003), Manderlay (2005) and Charlie Countryman (2013) and lent his dulcet utterances to The Lord of the Rings (1978), Watership Down (1978), The Black Cauldron (1985), Thumbelina (1994) and the Oscar-nominated short film The Gruffalo (2009).
"I have always been aware of voice in film. I think that it's almost 50 percent of your equipment [as an actor]," he once said. "It's as important as what you look like, certainly on stage and possibly on film as well. If you think of any of the great American stars, you think of their voices and their looks, any of them - from Clark Gable to Rock Hudson."
For the small screen, Hurt starred in the TV shows The Storyteller, The Alan Clark Diaries, The Confession and Merlin and in the miniseries Crime and Punishment and Labyrinth. He notably played the War Doctor in the 2013-14 season of Doctor Who.
On participating in the Whovian fandom, Hurt said in 2013: "I've done a couple of conferences where you sit and sign autographs for people and then you have photographs taken with them and a lot of them are all dressed up in alien suits or Doctor Who whatevers. I was terrified of doing it because I thought they'd all be loonies, but they are absolutely, totally charming as anything. I'm not saying it's the healthiest thing - I don't know whether it is or isn't - but they are very charming."
The accomplished stage actor performed with the Royal Shakespeare Company and Royal Academy of Dramatic Art. In 1994, he starred opposite Helen Mirren in Bill Bryden's West End production of A Month in the Country, and he scraped out an edgy and vigorously dour performance in Samuel Beckett's autobiographical one-man drama Krapp's Last Tape in 1999.
When asked about the difference between film and stage acting, Hurt explained: "It's rather like two different sports. You use two completely different sets of muscles."
In 2012, Hurt was honored with a lifetime achievement award by the British Academy of Film and Television Arts, then was knighted by Queen Elizabeth II in July 2015.
Survivors include his fourth wife Anwen Rees-Myers, whom he married in 2005, and sons Alexander and Nicholas.
to link to the actual post from Ms Cheng, Click Here.
Here's a link to an interview with John Hurt and Jenna Coleman.
Below is an excerpt from the transcript for when the 10th, 11th and War Doctors first meet each other.
DOCTOR 10: Okay, you used to be me, you've done all this before. What happens next?
DOCTOR: I don't remember.
DOCTOR 10: How can you forget this?
DOCTOR: Hey, hang on. It's not my fault. You're obviously not paying enough attention. Reverse the polarity!
(They both aim their sonic screwdrivers at the fissure.)
DOCTOR: It's not working.
DOCTOR 10: We're both reversing the polarity.
DOCTOR: Yes, I know that.
DOCTOR 10: There's two of us. I'm reversing it, you're reversing it back again. We're confusing the polarity.
(The Warrior drops through the time fissure.)
WARRIOR: Anyone lose a fez?
DOCTOR 10: You. How can you be here? More to the point, why are you here?
WARRIOR: Good afternoon. I'm looking for the Doctor.
DOCTOR 10: Well, you've certainly come to the right place.
WARRIOR: Good. Right. Well, who are you boys? Oh, of course. Are you his companions?
DOCTOR: His companions?
WARRIOR: They get younger all the time. Well, if you could point me in the general direction of the Doctor?
(They both demonstrate their sonic screwdrivers.)
DOCTOR 10: Really.
WARRIOR: You're me? Both of you?
DOCTOR 10: Yep.
WARRIOR: Even that one?
WARRIOR: You're my future selves?
WARRIOR: Am I having a midlife crisis? Why are you pointing your screwdrivers like that? They're scientific instruments, not water pistols. Look like you've seen a ghost.
DOCTOR 10: Still, loving the posh gravelly thing. It's very convincing.
DOCTOR: Brave words, Dick van Dyke.
(A troop of soldiers run up, lead by a nobleman.)
BENTHAM: Encircle them. Which of you is the Doctor? The Queen of England is bewitched. I would have the Doctor's head.
WARRIOR: Well, this has all the makings of your lucky day.