Today’s
post? COMIC BOOKS!!!
Yes,
I know the State of the Union address was last night but I really don’t want to
talk about Li’l Donnie at all*
*I
am writing this before the State of the Union address takes place. If Li’l
Donnie goes egregiously off script, I may need to reconsider.
But
on to important things!
COMIC
BOOKS!!!
Wow!
This has been an intense read. I admit I was in the camp that Watchmen was
sacrosanct and needed no follow up. But if you’re going to do it and drag those
characters into the main DC universe, Doomsday
Clock works. Geoff Johns is doing some of his best writing here, weaving a
narrative of nuance and intricacy. It may not be as tight as Alan Moore’s
original work but Johns is clearly inspired by Moore. Like Moore’s pirate comic
within a comic Tales of the Black Freighter, Johns is using a stoy with in a
story, scenes of a film featuring Nathaniel Dusk who appeared in a pair of
mini-series back in the 1980s by Don McGregor and Gene Colan. In an echo of
Watchmen’s nuclear brinkmanship, the nations of Earth in the main DC Universe
are on edge due to something called the Superman Theory. It posits that since
Superman’s arrival, the plethora of super powered beings that emerged after
that are p[art of a US government plot since so many of them are American. The other nations of the world are in an
arms race to catch up. Just as Moore’s Watchmen was deeply influenced by the politics
of the time he wrote it, Johns is refracting his story through the prism of
current politics.
Johns
does introduce two new characters in the Watchmen universe, villains Mime and
Marionette. As the rest of Watchmen were based on Charlton characters, it appears
this pair is based on Punch & Jewelee, a married villain couple who caused
trouble for Capt. Atom in the Charlton line. Mime and Marionette are messed, by
turns goofy psychopaths and murderous sociopaths. Johns is clearly having fun
writing these two.
Rorshach
is back. OK, not Walter Kovacs but a black man named Reggie who channels the
first Rorshach’s single minded ness but lacking his absolute certitude. I’m
still not sure what to make of the ending to issue #3 where Batman tricks Rorshach into a cell at Arkham Asylum and leaves him there.
I’m
going to have to wait to get answers. The book is going on bi-monthly schedule.
Which is fine by me. Better to just say that a book is bi-monthly than to
insist it’s monthly and keep missing deadlines. And artist Gary Franks probably
needs the time. He’s providing some outstanding
visuals with an incredible amount of detail .
One
more thing about Doomsday Clock. It fills up 32 pages with story and art as
well as back up text features that supplement the story, much the same way the
original Watchmen did with book excerpts, news articles and more.
So if you're keeping your distance because the word of Alan Moore is not to be refuted and Watchmen is sacred text, that's cool. I dig where you're coming from.
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