Hi there! Today's post is another installment of The Pixar Project, a review of Pixar's animated features in the order of their release. Click here and here for my two previous posts on this subject.
This past weekend at the Fortress of Ineptitude, the El family continued
its chronological re-watch of the films of Pixar with Toy Story 2.
For a long time, Toy Story 2 was Pixar’s only sequel and was
certainly a safe bet for them and for Disney as Pixar's next project. Once again, toys make an excellent
subject for CGI animation, capturing the plastic sheen of children’s playthings
with a wide range of human like expressiveness without getting caught in the
awkward trap of uncanny valley weirdness that comes with animating humans.
Other than Andy, the only humans of note
are Big Al of Al’s Toy Barn and the old man Al hires to fix a damaged Woody.
Both characters are physical caricatures which makes them easier to animate.
Still, there is a noticeable lack of stiffness in the animation of people than
there was in the first Toy Story.
The focus of Toy Story is on, of course, the toys, headed up
by Woody and Buzz Lightyear. Our story finds Woody toynapped by Big Al and Buzz
Lightyear and other toys from Andy’s room go off on a rescue mission.
But who would want to steal Woody? It seems Woody is a rare
and valuable toy that was part of a TV show phenomenon back in the 1950s, Woody’s
Round-up. Al wants to add Woody to the other toys from the Round-up gang:
Jessie the cowgirl, Bullseye the horse and Stinky Pete the Prospector, the
latter still mint in the box, never been opened. Al is looking to make a
considerable fortune selling the complete set of Woody’s Round-up toys to a toy
museum in Tokyo. (That’s in Japan!) Woody doesn’t want to be put in a toy
museum, he wants to get back to Andy. But in what has to be the most
heartbreaking sequence ever put on film (damn you, Sarah McLachlan and the
soulful stirrings of your beautiful voice), we find out Jessie had an owner
named Emily who meant the world to Jessie. But Emily outgrew Jessie and the sad
cowgirl has been alone ever since. It’s a toy museum or back into storage for
her.
Buzz and the gang get to Woody but Woody has decided that he’s
going to the toy museum so the Round-up gang can stay together and not get
stuck in storage. Buzz, however, reminds Woody of a lesson that Woody had
taught Buzz: a toy is only truly alive when being played with by a child. Then
Woody realizes there’s a third way: he can go back to Andy but he’ll bring the Round-up
gang with him. But Stinky Pete is not so mint in the box as we thought as he
thwarts Woody’s attempts to join the two groups of toys. Stinky Pete doesn’t
have a lot of good feelings about kids, having been left on a dime store shelf
for ages.
In a desperate quest, Buzz and his pals pursue Al and his
cargo to the airport. There Stinky Pete gets his comeuppance while Woody, in a
daring and exciting action sequence and with help from Buzz and Bullseye, saves
Jessie from a plane trip to Toyko. And everything ends up back in Andy’s room as
Jessie and Bullseye are welcomed to their new family.
Toy Story 2 was originally conceived as straight to video
production aimed at a decidedly younger audience. Yet as work on the film
progressed, Pixar and Disney realized that had something bigger and better than that and the goal
was changed to make a big screen feature release. The growth of the Pixar team is
clearly evident in this movie. The animation was more fluid and detailed. For
example, as the toys search through Al’s Toy Barn, you can see their
reflections on the waxed tile floor. But the story also steps up to take some chances.
The shout out to Jurassic Park as Rex races to catch up to his friends in the
toy jeep is a great example of the creators appealing to the grown ups in the
audience.
But there’s also a maturity in Pixar’s work in Toy Story 2
that is a bit surprising but sets the stage for future films. The sequence I
referenced above where Jessie’s time with Emily is told in a haunting montage
set to an emotionally powerful song. But it’s the moment after the montage and
we’re back to Jessie sitting on the window ledge and Woody has no words for her
pain. Notice there is no music. Just Jessie’s voice, low and sad, as she tells Woody
to go. Then Woody moves to the vent where he will make his exit and all remains quiet, still no music setting the tone or telling us how to feel. When
Stinky Pete makes his last appeal to get Woody to stay, he reminds Woody that
Andy will grow up and is not likely to take Woody to college… or on his honeymoon.
Still, no music, no sound effects, just the weight and the power of words and
the expressions on Woody’s plastic face. This is an animated movie but what carries
these moments in this sequence is acting, by the voices of Tom Hanks, Joan
Cusack and Kelsey Grammer, by the animators working magic with pixelated
plastic and a trust by the producers in the power of the story. It is a power we almost take for granted these
days in a Pixar movie but then, it was daring and new.
Toy Story 2 is not about kids outgrowing their toys but toys being out grown. We are the toys, contemplating our mortality and our place in the flow of time that just won't stop for us. Pretty heavy stuff for a movie about toys coming to life.
Toy Story 2 is not about kids outgrowing their toys but toys being out grown. We are the toys, contemplating our mortality and our place in the flow of time that just won't stop for us. Pretty heavy stuff for a movie about toys coming to life.
Toy Story 2 was accompanied by more outtakes like we saw in
A Bug’s Life and the short, Luxo Jr. This short was the first film that Pixar
ever made and provides the hopping lamp we’ve come to expect from the Pixar
logo that opens and closes every movie.
Next time on The Pixar Project, the family settles down to watch Monsters Inc.
Meanwhile, a new blog post is up and running tomorrow so I hope to see you back here. Until then, remember to be good to one another.
Dave-El
I'm So Glad My Suffering Amuses You
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