Hi there! Today I’m launching a new blog post series called Cinema
Sunday.
On occasion, I will post in this blog how I will abscond
from the Fortress of Ineptitude to go see whatever recent release is out in
movie theaters.
These posts are not about that.
Cinema Sunday will be posts on movies from my past, movies ranging
from my childhood to flicks I’ve stumbled across on cable.
Today’s post is about 3 movies of a relatively recent
vintage and linked by the theme “stuff blowed up real good”.
Way back in the 1980s, the Canadian sketch comedy show SCTV
had a recurring feature called the Farm Film Report, a film review show hosted
by two cover-all wearing farmers who would rate movies on a variety of criteria
but they’re favorite films were the ones where “stuff blowed up real good”.
I like movies where “stuff blowed up real good” as much as
any red blooded heteronormative male but I prefer “stuff blowed up real good” with
a sense of humor.
Which brings us to the first film in today’s post, RED, loosely (very, very loosely) based on the DC comic by Warren
Ellis and Cully Hammer.
RED is a CIA designation for “Retired, Extremely Dangerous”. It is a designation applied to one Frank Moses (Bruce Willis), a retired black-ops agent living alone in Cleveland, Ohio whose favorite activity is calling Sarah Ross (Mary Louise Parker) at the General Services Administration's pension office in Kansas City, Missouri, to report his pension checks haven't arrived. (Checks Frank tears up to give him an excuse to call and talk to Sarah.)
RED is a CIA designation for “Retired, Extremely Dangerous”. It is a designation applied to one Frank Moses (Bruce Willis), a retired black-ops agent living alone in Cleveland, Ohio whose favorite activity is calling Sarah Ross (Mary Louise Parker) at the General Services Administration's pension office in Kansas City, Missouri, to report his pension checks haven't arrived. (Checks Frank tears up to give him an excuse to call and talk to Sarah.)
So, Dave-El, is this some kind of rom-com? When does do we
get to “stuff blowed up real good”?
How about now?
One night, a squad of heavily armed black garbed men infiltrate
Frank’s house. Frank himself is padding through the house. As a man of a
certain age, he had to get up to pee and now wants a snack. He seems oblivious
to the hordes of ninja soldiers in his house.
Then in a sudden burst of violence, Frank takes out a ninja
soldier. Then another one. Then another. And another. Look, I don’t know exactly
how many ninja soldiers are in Frank’s house but whoever sent them did not send enough.
Meanwhile, Frank has left some bullets in a frying pan on a
lit stove. Suddenly the house is lit the hell up with gun fire. And the hordes
of ninja soldiers lurking outside began shooting up the house.
Stuff blowed up real good!
When it’s all over, all the ninja soldiers are dead or
dying, the house is a bullet riddled shambles of something resembling a house
and Frank Moses exits with nary a scratch on him.
And with that, RED is off and running. Realizing this hit
squad tapped his phone, Frank realizes Sarah will be a target next so it’s off
to Kansas City where Frank and Sarah’s first in person meeting does not go all
that well. In order to save her, Frank snatches Sarah from her home. Sarah’s
objections to this action are muffled by the silver duct tape over her mouth.
Yep, Frank has to abduct his would-be girlfriend to save her life.
Don’t worry. These crazy kids will work this out.
I’m not going to give a rote recitation of events through the rest of this movie. Basically, Frank and the gang wind up in the crosshairs of their own government for something they have no knowledge off and nothing to do with. What draws me to this movie is the collection of characters we meet between bits where “stuff blowed up real good”.
Like Frank’s former CIA mentor Joe Matheson (Morgan Freeman), doing the time in a nursing home waiting for cancer to kill him. Joe likes to pretend he can’t work the TV so one of the nurses will adjust it for him so Joe can ogle her curvaceous backside. An assassin comes for Joe. Joe may be biding his time waiting for cancer to do its work already but he hasn’t made it this far in life for some punk ass kill squad wannabe to take him out.
And there’s the British former wetwork agent Victoria Winslow (Helen Mirren), all polish and sophisticated style with a killer’s edge. She’s supposed to be a former wetwork agent but a girl gets bored sometimes. She still takes on the odd job here and there.
I’m not sure how old Helen Mirren is (in her 70’s I think?) but damn if she isn’t hot in this movie.
And there’s ex-Russian secret agent Ivan Simanov (Brian Cox), an avuncular character with a lot of kills on his ledger and a song of passion and romance in his heart for Victoria.
But the most bizarre of Frank’s compatriots is Marvin Boggs (John Malkovich), a cynical and deeply paranoid man. How paranoid is he? He believes the CIA was dosing his coffee every day for years with LSD. The reason Marvin is so paranoid is, as Frank explains to Sarah, the CIA really was dosing Marvin’s coffee every day for years with LSD. Marvin is living proof of the adage “Just because you’re paranoid doesn’t mean you’re not being followed.” Marvin is overly cautious, loaded with more weapons than most armies and a crazy sense of proportion and perspective. In one scene, Marvin stares down a missile fired point blank at him from a rocket launcher. Marvin shoots the missile in mid air, causing it to explode, destroying the rocket launcher and the person holding the rocket launcher.
Marvin is the kind of guy who can shoot someone in the head and then calmly expresses a desire for pancakes. “I feel like pancakes. Anybody want pancakes?”
Marvin's my favorite character.
And between all these quirky characters, “stuff blowed up real good”.
In an action adventure film, I’m all for “stuff blowed up real good”. The more stuff the better. The more blowed up, the better. But I’m too old for mere spectacle. I need humor and heart and RED delivers on that.
And as a man closer to senior citizen than middle aged, I like the idea of these older actors as older characters playing with bullets and explosions. And having fun doing it.
I’m not going to give a rote recitation of events through the rest of this movie. Basically, Frank and the gang wind up in the crosshairs of their own government for something they have no knowledge off and nothing to do with. What draws me to this movie is the collection of characters we meet between bits where “stuff blowed up real good”.
Like Frank’s former CIA mentor Joe Matheson (Morgan Freeman), doing the time in a nursing home waiting for cancer to kill him. Joe likes to pretend he can’t work the TV so one of the nurses will adjust it for him so Joe can ogle her curvaceous backside. An assassin comes for Joe. Joe may be biding his time waiting for cancer to do its work already but he hasn’t made it this far in life for some punk ass kill squad wannabe to take him out.
And there’s the British former wetwork agent Victoria Winslow (Helen Mirren), all polish and sophisticated style with a killer’s edge. She’s supposed to be a former wetwork agent but a girl gets bored sometimes. She still takes on the odd job here and there.
I’m not sure how old Helen Mirren is (in her 70’s I think?) but damn if she isn’t hot in this movie.
And there’s ex-Russian secret agent Ivan Simanov (Brian Cox), an avuncular character with a lot of kills on his ledger and a song of passion and romance in his heart for Victoria.
But the most bizarre of Frank’s compatriots is Marvin Boggs (John Malkovich), a cynical and deeply paranoid man. How paranoid is he? He believes the CIA was dosing his coffee every day for years with LSD. The reason Marvin is so paranoid is, as Frank explains to Sarah, the CIA really was dosing Marvin’s coffee every day for years with LSD. Marvin is living proof of the adage “Just because you’re paranoid doesn’t mean you’re not being followed.” Marvin is overly cautious, loaded with more weapons than most armies and a crazy sense of proportion and perspective. In one scene, Marvin stares down a missile fired point blank at him from a rocket launcher. Marvin shoots the missile in mid air, causing it to explode, destroying the rocket launcher and the person holding the rocket launcher.
Marvin is the kind of guy who can shoot someone in the head and then calmly expresses a desire for pancakes. “I feel like pancakes. Anybody want pancakes?”
Marvin's my favorite character.
And between all these quirky characters, “stuff blowed up real good”.
In an action adventure film, I’m all for “stuff blowed up real good”. The more stuff the better. The more blowed up, the better. But I’m too old for mere spectacle. I need humor and heart and RED delivers on that.
And as a man closer to senior citizen than middle aged, I like the idea of these older actors as older characters playing with bullets and explosions. And having fun doing it.
Basically, Frank and the gang wind up in the crosshairs of
their own government for something they have no knowledge off and nothing to do
with… again.
Only this time there is a NUCLEAR BOMB!
So RED 2 has that going for it.
Also, RED 2 has Anthony Hopkins going for it, dusting off
the crazy Hannibal Lector part of his brain to nibble vigorously on some scenery.
Byung-hun Lee is on hand as Han Cho Bai, an assassin who is so damn good at this job, he can kill while he's stark naked and armed only with a sheet of paper. He's contracted to kill Frank Moses. Frank instead steals Han's private plane. Which changes killing Frank from Han's job to Han's passion. There's a Wiley Coyote Vs. Road Runner vibe as Hans repeatedly tries and fails to kill Frank Moses.
David Thewlis has a brief but memorable role as a former
agent known as the Frog. He’s called the Frog because he once carried out a hit
using the lethal secretions of a deadly poisonous frog. The Frog also has intel to help Frank and the
gang find the NUCLEAR BOMB! While the rest of the gang is deciding
which body part to cut open and dip in some bleach, Sarah opts to seduce the
info out of the Frog.
Wow! Our little government call center processor from Kansas
City has come a long way in her spy craft.
RED 2 may be derivative of the first film but it’s still a
lot of fun. I would not recommend watching them both back to back. Watch RED
then let your onions caramelize awhile
then watch the sequel.
RED 2: just as good as the original....
...but with a NUCLEAR BOMB!
Our 3rd film for today’s Cinema Sunday is one I just
saw last week on cable, The Hitman’s Bodyguard.
Here we go!
Commissioner Gordon (Gary Oldman) is on trial in a world court for crimes against humanity in the form of torture and murder in mass quantities. The clock is ticking and there is only one witness who can take him down: Nick Fury (Samuel L Jackson). But SHIELDS’s been compromised (“Hail, HYDRA!”) leaving only one man who can get Nick Fury to the world court in time, Deadpool (Ryan Reynolds).
OK, maybe, not quite.
Gary Oldman is Vladislav Dukhovich, a dictator on trial for the torture
and murder of his own citizens. Without a witness who can provide proof, this
SOB will go free to go back and rule his county again. The only person on Earth
with the guts and the balls to stand up to this piece of shit is Darius Kincaid a
hitman of international renown with over 200 kills to his name.
Samuel L Jackson plays Darius Kincaid with the broad bright smile of
your best buddy and the intense gaze of a take no shit motherfucker who is
going to kill your ass in the next 5 seconds. In other words, Samuel L Jackson
doing his best Samuel L Jackson. Kincaid has
considerable skills and intelligence but he’s more of an improv artist, able to
size up his environment and the people around him in a moment and adjust his
actions accordingly.
Meanwhile, Ryan Reynolds is Michael Bryce, a professional
bodyguard who, like Darius Kincaid, has considerable skills and intelligence. But unlike Kincaid, Bryce is more methodical, planning and anticipating contingencies and
planning accordingly. In an opening scene,
we see Mike extricating a client from a dangerous situation. The client remarks
the rescue seems boring while a number of rapid flashbacks show how much prep
work and ass kicking Michael Bryce had to do to make his client’s rescue “boring”.
INTERPOL’s security to get Darius Kincaid to the world court venue
is compromised by operatives working for Vladislav Dukhovich. Stuff gets blowed up real good. The only one to
survive from Kinciad’s security detail is Amelia Roussel. She realizes that her team
could only be taken down like that with a spy on the inside so she needs to get
help from outside. She calls Michael Bryce.
Bryce is NOT HAPPY to take this call. He was in love with Amelia Roussel but their relationship
fell apart when Bryce blamed her for the loss of a client to an assassin’s
bullet.
Michael Bryce is even more NOT HAPPY when he sees who she called him
to protect. Over the course of their respective careers, the paths of Kincaid and Bryce have crossed. Darius Kincaid has nearly killed him in the past a few times.
Ultimately, Michael Bryce is convinced to take the case, protect
Darius Kincaid and get his ass to the world court.
Methodical Bryce trying to rein in chaotic Darius Kincaid? Yeah, hilarity can’t help but ensue.
Methodical Bryce trying to rein in chaotic Darius Kincaid? Yeah, hilarity can’t help but ensue.
Jackson and Reynolds make a great team, playing off each other
like a 21st century version of Hope and Crosby but with more explosions
and lots more use of the word “shit”.
The Hitman’s Bodyguard is not a great work of art. It can be
formulaic as hell. Yes, methodical Michael Bryce will save chaotic Darius Kincaid. Yes, chaotic Darius Kincaid will save methodical Michael Bryce. Each will learn from the other. We’ve
seen this before.
The Hitman’s Bodyguard is a movie I enjoyed. Why? Because it's funny
and stuff blowed up real good.
What more could I ask for?
Next week, Cinema Sunday will try to go more high brow as I
look at a movie regarded as the best of movie of all time.
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