Friday, July 27, 2018

That Unbreakable Queer Eye Glow


Welcome to I’m So Glad My Suffering Amuses You, the blog that is unbreakable! I’m Dave-El and I’m alive, dammit! It’s a miracle!

May I blog about TV? I would ever so much enjoy that, I ever would so. 

I’m still working to keep my resolution for 2018 to watch MORE television.




Wednesday night, I caught up on season 1 of Unbreakable Kimmy Schmidt, the wacky Netflix comedy about a woman who was kidnapped by a doomsday cult and forced to live underground for 15 years and that woman’s determination to make a life for herself in New York City, armed only with boundless determination and an 8th grade education.

I really like this show. Hell, I even like the theme song!  Here are the lyrics. 

Unbreakable
They alive, damn it
It's a miracle
Unbreakable
They alive, damn it
But females are strong as hell

Unbreakable
They alive, damn it
It's a miracle
Unbreakable
They alive, damn it

That's gonna be, uh... you know, a... fascinating transition.
Damn it!  


Ellie Kemper is a pure joy (A PURE JOY, DAMN IT!) to watch as Kimmy navigates a life that is weird by any standard, let alone for a young woman who spent her formative years in a bunker. Although Kimmy is 30 years old, I love the almost childlike way she scrunches up her nose when something puzzles her and the way her eyes light up when she figures something out. She was taken into the bunker when she was still pretty much a child so it makes sense that her sensibilities and perspective are locked into that when she comes out of the bunker.

Titus Burgess is a blast as Kimmy’s roommate, Titus Andremedon. Titus leans hard into every trope and cliché of a metropolitan black gay male but what redeems his character is he knows he’s leaning hard into every trope and cliché of a metropolitan black gay male and he doesn’t care.

I’m less enamored with the show when it moves away from Kimmy. I can tolerate the self-absorbed snooty socialite Jacqueline Voorhees as a foil for Kimmy but it’s hard to care when Kimmy isn’t on screen with her.  Jacqueline is played by Jane Krakowski. If you’ve seen Jane as Jenna Maroney on 30 Rock, then that’s Jacqueline but with fewer redeeming qualities. Season 1 does end with Jacqueline divorced and seeking to explore her identity by returning home to her family and her Lakota Indian roots.

Really. Since Kimmy’s heading back to NYC, I’m not sure what we’ll get from watching Jacqueline head back to North and/or South Dakota.  


The last 2 episodes of the season have Kimmy leaving New York to reluctantly return to Durnsville, Indiana, her hometown where the Reverend who held Kimmy and other women captive in the bunker is on trial. Despite being overwhelmingly and obviously guilty of the crimes of which he has been accused, the Reverend, serving as his own attorney, is on the verge of getting away with his crimes. It doesn’t help that Durnsville is populated with complete idiots. And the prosecuting attorneys seem clueless on the most basic practices of law. And the prosecutors also look Marcia Clark and Chris Darden, the same attorneys who managed to lose the case against obviously guilty double murderer O. J. Simpson.

And the Marcia Clark look alike is played by Tina Fey which just about breaks my heart. How can the future step mother of my daughter play someone so stupid?

Thankfully, Kimmy saves the day with a video tape audition the Reverend made to appear on NBC’s The Apprentice starring Donald Tr—

NO! Today is TV blog day! I will NOT permit that man’s name to sully this blog post!

TV is my friend.

It makes things…. simple somehow.

MORE TV STUFF!

Finished up season 2 of GLOW which culminates finding the girls both failing and succeeding at the same time. The Gorgeous Ladies of Wrestling are building up a loyal following. People know who the women of GLOW are. They’re getting fan letters and marriage proposals. But the TV station airing their show in Los Angeles has put the show in a shit time slot of 2:00 AM.

Why the hell did that happen?

It’s a move of petty revenge enacted by the station manager after Ruth Wilder extricated herself from his private bungalow where he was putting the moves on Ruth for a private performance. (In other words, sex.) Ruth thinks she doesn’t need to put up with this shit so she leaves. The station manager thinks he doesn’t need to put up with this shit and moves GLOW to Saturdays at 2:00 AM.

Unfortunately contract shenanigans won't let GLOW be sold to another TV station or network. Well, that sucks and the women of GLOW are bummed. They’ve become a close knit group, supportive of each other. And dammit if they haven’t come to have some pride in this cockamamie women’s wrestling show. They’re loathe to give this up.  

Our avantgarde schlockmeister director Sam has made a new friend, a guy who owns a strip club who comes to the taping of GLOW’s season finale. Turns out this strip club dude also has a sweet set up in Las Vegas. Hey, the contract that’s keeping GLOW from jumping to another TV outlet does not keep them from doing live shows. So they gather up their stuff, board a bus and the Gorgeous Ladies of Wrestling are off for Vegas, baby! 

If you come to GLOW for the purient interest of watching hot chicks in tight shiny lyrca outfits wrestling each other, you will be surprised to find a genuinely sweet and funny show. The absurdity of watching this ramshackle shoe string production actually become something real is interesting enough but the stories of the women caught up in making this shit into something worth putting on TV are compelling. 

This really comes home in the 7th episode of season 2 in the aftermath of Ruth Wilder of getting her foot broken in the ring during a match. That episode is exclusively set in the hospital as the women, in their own odd and idiosyncratic ways, rally around their fallen fellow fighter. It’s an emotional story that demonstrates how much this group of women have come to mean to each other. Or how much Sam, grumpy misanthrope that he is, has come to care about them. Particularly Ruth whose artistic aspirations have annoyed the hell out of him since the first episode of season 1.

Episode 8 of season 2 is just balls to the wall weird. It’s an actual episode of GLOW that goes out on the airwaves of the greater Los Angeles area, complete with wrestling matches, music videos, comedy sketches, commercials, promos and more.

Also on Netflix….

My daughter Randie sucked me into this one: Queer Eye. This show is a revival of the old Queer Eye for the Straight Guy series that used to run on the Bravo cable channel. The premise then was it takes gay men teach a straight man how to be a better straight man. Straight men are so clueless without fashion tips from gay men.

The new Queer Eye loses “the Straight Guy” from the title which introduces some flexibility into the premise.  Yes, most of the men targetted for help are hapless straight guys with no clue how to run their lives. But in the episodes I watched with Randie, there were a couple of variations to the theme. 

One was an episode where the Queer Eye team (the Fab Five) is called in to help an African American woman in a small town. She asks that the Fab 5 help her with a special project, the completion of a community center at her church.

Which brings us some conflict. All of the Fab 5 have had to navigate at least some of the treacherous waters of certain church ideologies versus their status as gay men. One in particular has had some particularly disturbing encounters with the church over his life and refuses to enter the church’s sanctuary.


The woman they are there to help has had to make her own journey to bridge the gap between the church she loves and the son she also loves who came out as gay. One of the Fab Five is a black man who reaches out to this young man as a mentor.


At the end of the episode, the world is still not a perfect place but this tiny corner of it, thanks to the efforts and kindness of these 5 gay men, this part of the world is certainly a better place.


The finale of Season 2 finds the Fab Five called in to help sort out the life of a young man named Skyler. The episode opens in an operating room. The patient is Skyler undergoing top surgery, the process of breast removal. Skyler is trans and the goal of this episode is not just to clean up his messy apartment and update his wardrobe. The Fab Five are there to help Skyler fully become the man he always felt he was. 


The thing about the LGBT community is that it’s not just some homogenous blob of “not straight” people. Each part of that community has their own struggles that vary even further with each individual person. It is not a given that a gay man is going to automatically understand what life is like for a trans person. And that’s what we find with the Fab Five who have their own knowledge gaps about what life is truly like for a transgender man like Skyler. But their compassion and joy drives them to learn and help Skyler to fully actualize being the man he always felt he was and now in a real physical sense, completely is.


It is a heartwarming episode but admittedly, a hard one for me to watch. Of all the permutations of differing sexual orientations and genders, being transgender is a concept my mind sometimes struggles to wrap itself around. I think it owes less to bigotry and more to just lack of experience with transgender persons. But I’m trying to be better. Randie has friends who are transgender and is very devoted to being a supporter and defender of this community. She’s been very patient with me even as I still mangle my pronoun usage.


Over all, Queer Eye is a fun show. The Fab Five are distinct personalities that mesh well with each other and the people they are tasked to help. Although enjoyable, I can find the show a bit depressing. I look around at my messy life and it makes me sad to know that five awesome gay guys are not coming to my rescue.

Well, that just leaves me with more time to watch TV. 

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